Lil Nas and the Satan Shoes
Lil Nas X, a 21-year-old musical artist first famous for his rap/country hit Old Town Road, has ruffled quite a few feathers with the release of the video for his new single Montero: Call Me By Your Name. He’s long been a controversial online figure, due in part to his charming and frenetic social media presence and the homophobic attacks he has received since proudly and publicly announcing that he is gay, has been gay, and will remain gay until the world stops spinning. Absurd conspiracy theories have followed him - from claims that he is brainwashing kids into queerness to his potential ties to the ever-present Illuminati.
This use of satanic images, and the attacks on the artist flaunting them, is nothing new. It is part of a long history of misdirected moral outrage in the United States, one that blames artists for the social ills of society while ignoring the real reasons young people turn away from religion or act outside of the confines of the dominant culture. The controversy also shows a lack of understanding of the origins of the hodgepodge character of Satan and the imagery that has become associated with the fallen angel.
Modern evangelical Christianity is largely influenced by the kind of epic Christian fantasy that emerged during the 1980s when writers like Frank Peretti turned the concept of “spiritual warfare” into, ironically, a kind of Dungeons and Dragons-like role play that saw good Christians quite literally fighting and defeating actual demons … that version of Christianity spread like wildfire across the country.
Overzealous Christians would demonize everything from the aforementioned tabletop game to heavy metal lyricists whose satanic instructions could purportedly be heard by playing their music backwards. This led to the “ritual abuse scare” that started in the 1980s and still lingers today, a pre-QAnon conspiracy theory which held that daycare teachers around the country were sexually abusing children as part of a massive satanic cult. Mary de Young, a sociology professor, recently explained an underlying cause of the panic to the New York Times
More women were going to work, by choice and necessity in the wake of the women’s rights movement and as the country struggled with a recession. Conservatism and the religious right were ascendant, and both emphasized the nuclear family. Good daycare was hard to find … and many parents felt guilt for relying on it.
After numerous lives were ruined, the panic turned out to have little evidence behind it. Artists like Marilyn Manson deliberately played on parents’ fears and adopted the cult-like images that threatened them. Like many of the artists who came before him, Lil Nas X is sporting the satanic aesthetic as a means to court controversy, and to deliver a message about the hellishness of contemporary life and its arbitrary yet harmful social restrictions.The modern understanding of Satan has at least partially been driven by artists like Lil Nas X and Hollywood producers seeking to scare and titillate audiences. The Old Testament itself doesn’t exactly contain the full character of Satan as we know him today; it was later assembled over the years, partially borrowed from the religion of the also monotheistic Zoroastrians. The New Testament introduced Satan more formally, often used as a character to explain away the ills of the world like disease and struggles with mental health; it was also weaponized against Jewish people, with claims that they did the work of the devil. According to Rebecca I Denova, a scholar who studies early Christianity, the image of Satan was later crafted, drawing from the horned Greek deity Pan, and retroactively given shape-shifting powers so that he could take the role of the deceitful serpent who tempted Eve in the Garden of Eden – a relationship that would be used to blame women for various social problems and the fall of man.
Much of the other imagery we associate with Satan is fairly modern. For example, the image of Baphomet, the goat-headed man, in an inverted Pentagram has origins in the 1897 work of the occult author Stanislas de Guaita. These images were then purposely adopted by the Church of Satan in the 1960s, and The Satanic Temple in 2012, two groups that don’t actually believe in the existence of Satan but use the image to generate controversy. The Satanic Temple is mainly concerned with issues concerning freedom of religion and spends more time lobbying than worshiping the devil. Much like artists like Lil Nas X, they courted the imagery because they knew it would draw attention.
Despite all this, the kids are for the most part still living the dreams of many a Christian parent. Gen Z is relatively more “moral” on paper than most previous generations. Members of Gen Z have less sex, and the rate of teen pregnancies has plummeted. They are less likely to use drugs than their predecessors and have turned away from the American pastime of binge drinking. They are more likely to see themselves as activists and more likely to believe that racism is real. While many of these behaviors are ethically neutral and more about the social conditions driving them to prioritize survival above all else, it speaks to the fact that young Americans are not becoming the Satan-worshiping sex addicts that people fear that artists like Lil Nas X will turn them into. They are in fact a generation preparing themselves to face the existential threats of climate change, capitalist overconsumption, and growing pollution-induced infertility. Let them be gay, let them be free, let them have their music.
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